Arne Jacobsen - Architect And Designer
Arne Jacobsen is best known as the creator of the Egg Chair, the one that airplane pilots chose to copy. In reality, it is ideal for a home, a unique shape that fancy. This self-inclusive chair is one known for comfort, its stork-like legs and isolationist ambiance, ideal for after a hard day at the office or with the toddlers.
He first began as a bricklayer, eventually realizing his strengths lied in design, not construction. Like many of his peers in the 20th century, architects began crossing the line from the building's exterior to its interior. Jacobsen was born in Denmark, home of many naturalistic designs, love of wood and simplicity. The time of his new age design coincided with an era when large, heavy furniture pieces were both obsolete and ridiculous.
From ancient times to the Middle Ages, a large, heavy piece of furniture resembled wealth. One solid piece of rock, even to the Ancient Greeks, resembled a wealthy family who could afford to buy such a large piece at one time. The poorer Greeks used tiny rocks and other combinations, since the one slab used in the sarcophagus graves and one-stone headpieces were out of their financial reach.
Furniture, until the early 20th century, could be described as the heavier, the better. This all changed rapidly between the two world wars, partially influenced by exposure to new design elements and material options.
After showing early promise in Paris, 1925 where he won a silver medal for a chair design. He was later best known for his Egg and Swan chair designs. Arne travelledon to Berlin, where he became acquainted with German designers.
Being Jewish, he had to escape Nazi-occupied Denmark by rowing across the Sound to Sweden, where he worked as a modest home designer for two doctors and kept a low profile until the end of the war.
Upon returning to Denmark in the 1950s, there was a severe housing shortage, and minimalism was in "" people simply needed shelter. Believing that design was for everything from the spoon to the city, he worked constantly but continued to focus his efforts on chair design, his early love. Also known as the Fat Man, he was primarily employed an architect in Denmark but as time went on he was best known as a furniture designer in other parts of the world. The Plywood beauty, the Ant Chair, and then the hourglass shaped Series 7 chair, which became a big hit in the early 50s. This was followed by the legendary Swan and Egg chairs. His architecture was also very experimental, and one of his best known buildings includes the Round House.
He attributed his exterior and interior success proportion, which he claims was the secret ingredient of the Ancient Greeks. Proportion creates beauty, he felt, and in 1971, he died peacefully in Copenhagen at wife Joanna"s side.
He first began as a bricklayer, eventually realizing his strengths lied in design, not construction. Like many of his peers in the 20th century, architects began crossing the line from the building's exterior to its interior. Jacobsen was born in Denmark, home of many naturalistic designs, love of wood and simplicity. The time of his new age design coincided with an era when large, heavy furniture pieces were both obsolete and ridiculous.
From ancient times to the Middle Ages, a large, heavy piece of furniture resembled wealth. One solid piece of rock, even to the Ancient Greeks, resembled a wealthy family who could afford to buy such a large piece at one time. The poorer Greeks used tiny rocks and other combinations, since the one slab used in the sarcophagus graves and one-stone headpieces were out of their financial reach.
Furniture, until the early 20th century, could be described as the heavier, the better. This all changed rapidly between the two world wars, partially influenced by exposure to new design elements and material options.
After showing early promise in Paris, 1925 where he won a silver medal for a chair design. He was later best known for his Egg and Swan chair designs. Arne travelledon to Berlin, where he became acquainted with German designers.
Being Jewish, he had to escape Nazi-occupied Denmark by rowing across the Sound to Sweden, where he worked as a modest home designer for two doctors and kept a low profile until the end of the war.
Upon returning to Denmark in the 1950s, there was a severe housing shortage, and minimalism was in "" people simply needed shelter. Believing that design was for everything from the spoon to the city, he worked constantly but continued to focus his efforts on chair design, his early love. Also known as the Fat Man, he was primarily employed an architect in Denmark but as time went on he was best known as a furniture designer in other parts of the world. The Plywood beauty, the Ant Chair, and then the hourglass shaped Series 7 chair, which became a big hit in the early 50s. This was followed by the legendary Swan and Egg chairs. His architecture was also very experimental, and one of his best known buildings includes the Round House.
He attributed his exterior and interior success proportion, which he claims was the secret ingredient of the Ancient Greeks. Proportion creates beauty, he felt, and in 1971, he died peacefully in Copenhagen at wife Joanna"s side.
Source...