Guitar Blues - Improve Your Solo"s Skill
OK, so you learned the blues scale and is comfortable creating melodic phrases using notes of the scale you can play over a standard 12-bar blues. You're doing a great start to learning blues guitar, but how to put sentences together in a single interesting that people will want to hear? Killer guitar solos are more than just playing notes of the scale chosen aimlessly around the pitch! Here are some tips for creating a great blues guitar solo:
The first tip is to focus on chord tones of any chord you're playing more in a given moment, in particular the root note. These are the strongest points of resolution, so that the phrases that begin and end with chord tones often sound better. Play this game over a 12-bar blues: for each chord in the pattern, the game, a sentence that begins or ends with the tonic of the chord. Once you are comfortable with this test to the phrases that begin and end in other chord tones today.
You can take the tip chord tone to its extreme with arpeggios in his solos (arpeggios are just the notes of a chord played separately and not as a consistent whole). Try to play the appropriate chords arpeggios at different rates in a consistent pattern of 12-bar blues, and then try to incorporate them with other phrases of his solo.
Repetition is a key concept in the creation of great guitar solos, as it gives the mind something to block solos and therefore the repetition may sound better structured for the listener. There are many ways to use repetition in your single to make it a great sound:
At a simple level, just repeat the same lick twice might sound good, especially if different chords are played under the blade to give a different sense of harmonic
You could play licks at the same rate, but using different notes to ensure consistency in its lonely
Or you can even use the same notes, but vary the rhythm. In fact, this may be a little more complicated to achieve, but it can sound very effective.
Stripping it back, the same note or two notes (for example, a third or fourth doublestop) can be repeated continuously big sound in a solo. Try to play the notes as triplets and add a slide before each of the interest. Think of players as Chuck Berry that use this technique effectively.
"Question and answer" phrases are very common in the blues. This is where you get a phrase that is often repeated, possibly with some variation, which is followed by a sentence of response tends to be more freely improvised. Often the question and answer are played by different instruments, but also can be done effectively on a guitar, playing well below the questions followed by responses from two or more eighth. Try to find a low "question" phrase using the blues scale. Listen and then follow with a response phrase played further up the scale. Repeat this over a standard 12-bar blues using the phrase same question with different answers each time. As the hang of it, that minor variations in the questions.
Therefore, there are some tips you can expect to use to improve your blues guitar solos [http://www.goarticles.com/cgi-bin/showa.cgi?C=2843960]. I hope you can make good use of them as you learn blues guitar!
The first tip is to focus on chord tones of any chord you're playing more in a given moment, in particular the root note. These are the strongest points of resolution, so that the phrases that begin and end with chord tones often sound better. Play this game over a 12-bar blues: for each chord in the pattern, the game, a sentence that begins or ends with the tonic of the chord. Once you are comfortable with this test to the phrases that begin and end in other chord tones today.
You can take the tip chord tone to its extreme with arpeggios in his solos (arpeggios are just the notes of a chord played separately and not as a consistent whole). Try to play the appropriate chords arpeggios at different rates in a consistent pattern of 12-bar blues, and then try to incorporate them with other phrases of his solo.
Repetition is a key concept in the creation of great guitar solos, as it gives the mind something to block solos and therefore the repetition may sound better structured for the listener. There are many ways to use repetition in your single to make it a great sound:
At a simple level, just repeat the same lick twice might sound good, especially if different chords are played under the blade to give a different sense of harmonic
You could play licks at the same rate, but using different notes to ensure consistency in its lonely
Or you can even use the same notes, but vary the rhythm. In fact, this may be a little more complicated to achieve, but it can sound very effective.
Stripping it back, the same note or two notes (for example, a third or fourth doublestop) can be repeated continuously big sound in a solo. Try to play the notes as triplets and add a slide before each of the interest. Think of players as Chuck Berry that use this technique effectively.
"Question and answer" phrases are very common in the blues. This is where you get a phrase that is often repeated, possibly with some variation, which is followed by a sentence of response tends to be more freely improvised. Often the question and answer are played by different instruments, but also can be done effectively on a guitar, playing well below the questions followed by responses from two or more eighth. Try to find a low "question" phrase using the blues scale. Listen and then follow with a response phrase played further up the scale. Repeat this over a standard 12-bar blues using the phrase same question with different answers each time. As the hang of it, that minor variations in the questions.
Therefore, there are some tips you can expect to use to improve your blues guitar solos [http://www.goarticles.com/cgi-bin/showa.cgi?C=2843960]. I hope you can make good use of them as you learn blues guitar!
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